D.C. MOVIE GUYS

Movie Reviews for Washington D.C. and Denver, CO
by Bill Henry, Joe Barber and Friends

PROTOCOLS OF ZION

November 13th, 2005

JOE’S REVIEW: “PROTOCOLS OF ZION”

A Nazi propagandist once boasted that a lie can circle the world twice before the truth ever gets started. Unfortunately, despite the fact-or because of the fact-that technology has made our planet a smaller place, that boast seems more accurate than ever before. Since the attacks of September 11, 2001, a despicable lie had spread to nearly every corner of the world. This lie claimed that no Jews died in the attacks in New York City, that they had been warned in advance to stay away from the World Trade Center that fateful morning.

Documentary filmmaker Marc Levin, a native New Yorker, was told this ridiculous story by a seemingly intellegent young cab driver a few weeks after the explosions occured. The man cited as his source for the information a book called “The Protocols of The Elders of Zion”. Angered and intrigued by the claims of the cabbie, Levin went in search of the book and ended up documenting his personal journey into the heart of modern Anti-Semitism. “Protocols of Zion”, his new documentary, now opening nationwide in limited (but expanding) release, takes viewers on a compelling and though provoking trip with Levin. (more…)

SHOPGIRL

November 2nd, 2005

JOE’S REVIEW: “SHOPGIRL”

As his recent selection as this year’s winner of the Mark Twain American Humor Prize attests, Steve Martin is a clever and funny man. Not only is he an inspired comic actor, he has also been acclaimed as a serious actor, a playwright and a novelist. His first effort as an author, the novella “Shopgirl”, has been made into a film that’s just arrived on area screens.
The film takes viewers on a very different journey through the trecherous territory of the heart.

Claire Danes stars in the title role as Mirabelle Buttersfield. An unassuming young woman from the Northeastern United Stes, she moves to Los Angeles with dreams of having something unexpected and amazing happen to her. As trhe film opens, no such event has come along, so she goes about her life, working behind the counter of a high end department store in the heart of the city. Each night she returns to her plain apartment, occassionally working on her charcoal sketches and wishing for that remarkable moment-and man-to arrive.

Someone does show up, eventually, Jeremy (Jason Schwartzman fr om
“Rushmore”) is an endearingly goofy young undiscovered genius, at least in his own mind. He works as a logo designer and spends his time going to the movies. Not watching them, mind you, but sitting outside the theaters, studying the design and marquees for ideas. He makes Mirabelle feel less lonely, but still hungry for more.

“Mpre” arrrives in the form of Ray Porter (Martin), a wealthy older man who made his money in the computer software industry. Ray notices Mirabelle in the store one day, sends her a present, and begins to woo her. They seem to have terrific chemistry together, make each other laugh and she begins to gain confidence from his interest in her.

But Porter is a man who knows what love is and is capable of it, but can’t seem to completely embrace it. He tries to warn Mirabelle that their relationship has certain limits, but both of them seem to be moving past them. Meanwhile, a frustrated and rejected Jeremy stumbles into a serio-comic journey of self-discovery. As Mirabelle, Ray and Jeremy will discover, the path to where you need to be doesn’t always end where you think-or hope-it will.

Martin, who adapted his book into a screenplay and serves as the film’s off-screen narrator, and director Anand Tucker, have created a film that’s different than the customary romantic comedy. It is more like a fable about love and life, with a bit more on the line the a neatly packaged happy ending. The story and relationships unfold in subtle, understated ways that more closely resemble real life than the overheated passions and cloying cute talk many romantic films employ.

Martin’s script skimps on background details for the major characters.
Happily, the cast is up to the task of making the characters more dimensional. Danes shines as Mirabelle, creating a heroine of quiet complexity and endearing charm. Martin does an excellent job of making Ray an intriguing man of contradictions, decent and caring, yet hidden and slightly detached. Schwartzman makes Jeremy funny, but also invests him with the potential to become something more. One glaring flaw in the film is the overwrought musical score that far too often emphisizes the bittersweet elements of the story.

“Shopgirl” marks a definate step forward for its screenwriter and stars.
Deftly acted and written, it takes an overworked genre and breathes new life into it. It is the kind of pleasant surprise the movies rarely deliver these days.

MPAA RATING: R for profanity, nudity and sexual situations JOE’S RATING: THREE STARS.

CAPOTE

November 2nd, 2005

JOE REVIEW: “CAPOTE”

“For what does it profit a man if he gains the wholw world and loses his soul?” This Biblical quotation became fixed in my mind as I watched the compelling new film “Capote”. Now in limited release, this bracingly honest and engrossing film is powered by a mesmerising lead performan by Philip SeymourHoffman as author Truman Capote. (more…)

ELIZABETHTOWN

November 2nd, 2005

JOE REVIEW: “ELIZABETHTOWN”

Director and screenwriter Cameron Crowe has brought some of the funniest and most humane and human fillms to arrive in theaters in recent years. “Fast Times at Ridgemont High”, his 1982 debut film as a screenwriter, mat seem a raunchy teen comedy on the surface, but its characters and situations revealed a certain compassion and sense of humor about the emotional extremes that high school life inflicts on all of us.

“Say Anything”, “Jerry Maguire” and “Almost Famous” share this quality of gently and humorously examining characters at their best and worst, as they struggle to make sense of life and all sorts of relationships. This affection for the humanity in all of us runs throughout Crowe’s new film, “Elizabethtown”.

Orlando Bloom stars as Drew, a rising boy wonder working for a global Nike-like athletic shoe company. The project he’s worked on for several years, a rvolutionary new shoe, has just bee released-to global disinterest and a gigantic company stock loss. On the same day he learns he’s being fired and his seemingly company provided girlfriend ditches him, he is told his father has died and he must go collect the body.

Drew heads for Elizabethtown, Kentucky, his father’s hometown, where he was visiting his brother when he died. Things have always been a bit strained between Drew’s mother (Susan Sarandon) and his father’s family, so he’s entrusted to carry out his family’s wishes. But his father’s relatives and friends don’t make that easy. They worshiped Drew’s father and don’t understand his wishes to be creamated, for example. Drew must deal with all this while trying to figure out what path his life will take.

Help comes in the form of Clarie ( a radient Kirsten Dunst), an airline stewardess Drew meets on his way to Elizabethtown. She becomes hiis traveling companion while on a layover and helps him to begin to see himself and others in a different light. Will that light lead these very different people towards each other? That’s just one question to be considered on the journey that is this movie.

Crowe takes his time in weaving this tale. It ambles along at a gentle pace, offfering thought provoking observations about life, love, family and the definition of a sucessfully lived life. Bloom does some of his best work in years here, while Dunst is full of charm, mixed with a gentle vunerablity. They have a terrific chemistry together. Solid supporting work is done by Sarandon, Alec Baldwin as Drew’s boss and Bruce McGill as a shady fiend of Drew’s father.

A rich and soulful soundtrack of blues, country, rock and pop standards is an additional asset for the film. “Elizabethtown” is the kind of film that won’t be everyone’s cup of tea. Like a well loived life, it rambles on at its own sweet pace. But, if you’re willing to go with it, you’ll find yourself rewarded with a genial fable about just how precious life can be.

~Joe Barber

MPAA RATING: PG-13 for profanity and sexual situations.
JOE’S RATING: THREE AND A HALF STARS.

Domino

November 2nd, 2005

It was once said of British director Ken Russell (whose films included “The Music Lovers”, “Liisdtzomania” and “The Who’s ‘Tommy’ “) that, based on his filmmaking style, he obviously owned a dictionary missing the word “excess”.
After watching director Tony Scott’s latest film, “Domino”, it’s clear there are several entries missing from his Webster’s-or Oxford-as well.
Words such as “overdone”, ’subtle”, “unrealistic” and “wasted opportunity”
apparently didn’t register with Scott when it comes to this mess of a movie which opens in area theaters Friday.

Too bad, because the basic story behind this film was an interesting one.
Domino Harvey was the daughter of acclaimed actor Laurence Harvey. He starred in such films as “The Manchurian Candidate”, “Room At the Top” and “The Alamo”. He died suddenly of a heart attack in the early 1970’s, while Domino was still a child.

While her mother sought a wealthy husband in Los Angeles, Domino grew bored with the glamorous California lifestyle. She dropped out of Beverly Hills High and became a model. During that time, she fell into a life of drugs and free and easy sex. While sitting on a park bench one day, she came upon an ad for a lecture on how to become a bounty hunter. Intrigued, she attended and jumped, feet first, into the business. She and her team quickly became one of the best units in the business.

If Scott had stuck to this story, he could have produced a gritty, energetic fish out of water story. He was already ahead of the game, thanks to his very talented cast, headed by British actress Kira Nightly as Domino. She brings a toughness and ironic sense of humor to the role that keeps your eyes locked on her every moment she’s on screen. She surrounded by fine actors in small roles, such as Delroy Lindo, Jacqueline Bisset, Dabney Coleman and Christopher Walken.

But Scott burries the movie in oversaturated colors, loud and abrasive rap music, ear-splitting gunfire and a time shifting stroryline that keeps you wondering where you are thgroughout the movie. When Scott has a strong cast and script, as he did in “Crimson Tide”, those elements (and some self
restraint) can make for first class filmmaking. Here, the overblown sub plot, which seems stolen from “Godfather III” and the overblown atmospherics make the movie a train weck.

All due respect to the lovely and talented Ms. Knightly, she can make reading the phone book interesting on-screen, but she’s badly betrrayed here. Simply put, “Domino” comes up snake eyes.
~Joe Barber

MPAA RATING: R for profanity, graphic violence, breif nudity and sexual situations JOE’S RATING:ONE STAR.